In The Revolution of Marina M., we met Marina Makarova, whose whole soul belonged to the anti-tsarists during the Russian Revolution. She found a husband, lovers, and her true calling as a poet, capturing images and meters with passion and flair. Now, left alone and pregnant in the remote countryside, she's reunited with her husband who hauls her aboard an agit-train, Red October. She glories in spreading the revolution again, but not for long. Soon the baby arrives, and the family heads to Petrograd to live and work. Terrible disorder in the city makes for dreadful ordeals, even as Marina finds a haven in the House of Arts. Despite the travails, our heroine reflects the genius of the Silver Age poets. Their works, personalities, and disagreements are examined as if through a jeweler's loupe. The story peaks when the Soviet New Economic Policy challenges Marina's faith to the fullest. Can she remain a revolutionist? VERDICT Like a 19th-century avatar, Fitch gives a 360-degree view of the suffering caused by the Bolsheviks' consolidation of power and tells a long and sweeping story without wasting a word. [See Prepub Alert, 1/23/19.]—Barbara Conaty, Falls Church, VA

Fitch's satisfying sequel to The Revolution of Marina M. continues the saga of Marina Makarova, a 19-year-old poet and revolutionary who has rejected her bourgeois family in favor of the Bolshevik Revolution. Picking up in 1919, the novel begins with pregnant Marina deciding to leave behind her unfaithful lover, Kolya, to join a spiritualist cult. A few months into joining, Marina is fully immersed in Red October propaganda and reconnected with her estranged husband, Genya. When Genya abandons her during childbirth in rural Udmurtia, Marina decides to return to her childhood home of St. Petersburg. There, she faces the consequences of past choices, as well as the grim realities of the Russian Civil War and the revolution she helped bring about. After enduring near starvation, a deadly winter, confrontations with the secret police, and devastating personal tragedies, Marina becomes a tenant of the House of the Arts, a collectivized residence for Petersburg's remaining intellectuals. Influenced by Russian literary giants Alexander Blok, Maxim Gorky, and Nicolay Gumilov, Marina grows increasingly ambivalent toward the Bolsheviks—and her support of counter-revolutionaries makes her a political target. Fitch's impressive attention to historical detail and Marina's bold voice carry the often winding story. Though the narrative is overlong, Fitch's many fans will enjoy this immersive tale. Agent: Warren Frazier, John Hawkins Group (July)